In addition to my usual "Digital Printing" workshops, I will be teaching two workshops with John Sexton, which are described further down the page. Also, two One-Day workshops will be offered, described even further down the page.
All my workshops for the remainder of this year are full. You can ask to be on the waiting lists, but they are fairly long. However, I will be announcing the 2015 workshop schedule near the end of the year. If you want to receive the email announcement about this, please go to my Contact page, and send me an email asking to be on the email list. I never give out email addresses, and only send 5-6 emails out a year.
Digital Printing for the Fine Art Photographer
of this workshop are currently scheduled for 2014, at the following locations:
(click on name to go to workshop details).
These workshops will cover what you need to know to make the finest digital prints from your film or digital camera files. From exposure, to adjustment/optimization, to choosing the right printer, I will share the results of extensive testing in my pursuit to make the best possible prints. And beyond the technical details, you will learn ways to make your images stronger and more compelling. This is not a beginner's workshop, as we will assume some experience with RAW developing and Photoshop. The workshop uses Photoshop as its primary image adjustment tool.
The “Fine Art” in the title just means that you are willing to devote the time and effort to explore and optimize your images to their fullest potential. This class will give you the tools to go beyond your film or digital camera file, and spur your imagination to create stronger interpretations of your images. Much discussion will center on critiquing prints (produced both before and during the class) and exploring what makes an exceptional print. This workshop will engage both the right and left sides of your brain!
There will be a healthy discussion of color management and how to diagnose if a problem is due to your monitor calibration—or your printer profiles—or both! You will receive an invaluable "reference print" that can be used to test your printer, printer profile, and printer dialog settings. The pros and cons of many printer choices will be discussed and demonstrated with actual comparison prints.
This workshop requires homework! About 2 months before the class, I will mail out my 81 page workbook, Photoshop Techniques: Effective and Efficient Techniques to Optimize Images. This tutorial includes exercise files, so you can practice these techniques at home. You will discover the power of the most versatile adjustment layer of them all—curves. This handout covers what I consider the essential techniques to optimize and fine tune your images. Learning these techniques will not only increase your productivity, but result in stronger interpretations of your own images. I also ask everyone to bring some of their current prints to the workshop for critiques.
I have presented this workshop over seventy times at various locations around the country. As they say, “practice makes perfect”, and I am constantly refining what and how I present the material in this workshop. I strive to eliminate the superfluous, and present just the information that you need to effectively and efficiently process, refine, and print your own images.
Subjects covered will include
WORKFLOW FOR FINE ART PRINTING
The Master file concept
DIGITAL CAMERA FILES
Using Adobe Camera Raw and Lightroom
Getting the most of our your digital capture
What to do in Lightroom—and what to save for Photoshop
Using color management to insure consistent results from monitor to final print
How do I get good profiles for my monitor, scanner, and printer?
Using the supplied "reference print" to diagnose your own setup and profiles
Recommended techniques for working on files
Photoshop selection tools—tips and techniques
Setting density and color balance
Retouching, burning and dodging
Preparation of files for output to various printers
Using the “Smart-sharpening” action script (included)
Can my print be stronger? And what to do to improve it
What makes an effective print
Archival methods of mounting and matting digital prints
Students will get to fine-tune and print using their own images. I will spend time working with each person individually to discuss and refine the adjustments to your image in RAW development and/or Photoshop. You must be familiar with Photoshop, which would include performing basic tonal adjustments with layers or curves, painting on layer masks, resizing, cropping, etc.
Which workshop to take? All the 3-5 day classes cover essentially the same material. Locations vary, as do facilities and fees charged. The Ansel Adams Workshops include the opportunity to participate in field photography sessions in Yosemite Valley. For the Picture Element Workshops, you will need to bring your own computer/laptop. Picture Element is also offering an "alumni" workshop for those who have survived one of my regular workshops. All the workshops have received excellent ratings from students.
CHARLES CRAMER has been photographing and making prints for 30 years. In 1997, he started scanning his original 4x5 inch transparencies at very high resolution and digitally applying the photographic techniques he used in dye transfer printing. He has taught digital imaging for the Ansel Adams Gallery Workshops, Palm Beach Workshops, Anderson Ranch Workshops, the Lepp Institute of Digital Imaging, the Luminous Landscape workshops, and others. He was also fortunate to have the great Bill Atkinson co-instruct with him at many of these workshops. Charles Cramer’s landscape work has been published by National Geographic Books, Sierra Club, and the Yosemite Association. He has been profiled in PhotoTechniques, PhotoVision, Outdoor Photography (UK), and View Camera Magazines. He is also included in the book “Landscape: The World’s Top Photographers”, now available in paperback! His work can be seen in galleries internationally, and at his website, www.charlescramer.com.
Santa Clara, California (Silicon Valley!)
Three Day Workshops
For workshop description, see the top of this page.
For more information on this class, and/or to sign up, email me.
Dates for 2014: March 7-9 April 11-13 November 14-16
Fee for class: $1150, plus lab fee of $75 Class limited to 8
Picture Element specializes in high-end reproductions of art of all kind, and have a wonderful facility with three large-format Epson printers. Picture Element is also expert in the production of prints on canvas. The classroom is quite large, with an excellent setup for viewing lots of prints at one time. Although they can provide a few computers, most students will need to bring their own laptops with the imaging software that you use.
Photographer Rex Naden will be our full-time assistant. Contact me for information or to enroll.
Alumni Print-Making Session! April 4-6, 2014· Fee: $1200 plus Lab fee of $120 · Limited to 8 · Same meeting times as above · Includes discussions and demonstrations of handling problem images, with majority of class time devoted to helping students optimize and fine-tune their own images, with extra time printing. Prerequisite: Having attended any of my previous workshops.
OUR REFUND POLICY
If you need to cancel prior to 21 days before the class, you will receive a full refund, minus a $50 processing fee. Refunds cannot be made for withdrawals initiated within 21 days of the first day of the workshop, including last-minute cancelled flights—for that you want trip insurance. But, if we can fill your spot with another student, you will receive a full refund. If we need to cancel, you will receive a complete refund of all fees. Although we rarely need to cancel a workshop, it can happen. If you are flying, please make sure you get tickets that are refundable or can be changed.
The Ansel Adams Gallery
Yosemite National Park
Five Day Classes
Dates for 2014: April 29-May 3, November 4-8 (Sorry—both sessions full—waiting list available).
Fee for class: $1350 Class limited to 8
These five day workshops include field sessions in and around Yosemite Valley. I have chosen the dates for their photographic potential. May will have the freshness of Spring, with lots and lots of water! The dogwood should also be in bloom. The November dates will feature the wonderful variety of Fall color in the Valley. The sun also stays at more of an angle, creating more interesting light.
The Gallery has just remodeled Ansel's workroom (next to his darkroom) for workshop use, so this is a location with lots of history. And the location in the heart of Yosemite Valley is unbeatable. (A few steps out the door, and there's Yosemite Falls!). The Gallery has a collection of excellent printers, including an Epson 3800 and an HP Z3100.
I'm proud to have taught workshops for the Ansel Adams gallery for 26 years now, covering subjects from Dye Transfer and Cibachrome Masking to the current digital imaging and printing. (...from the darkroom, to "Lightroom"...)
THE LUMINOUS PRINT: A SYNTHESIS OF TRADITIONAL AND DIGITAL
CHARLES CRAMER AND JOHN SEXTON
March 17-22, 2014
Workhop is full, but waiting list is available at firstname.lastname@example.org.
Offered for the fifth consecutive year, this popular workshop brings together two talented and skilled photographers who have specialized in making prints of exceptional quality for many years. Although Sexton works in a traditional black and white darkroom, and Cramer in color with digital techniques, their end goal is the same: to create the finest expressive and luminous prints possible. This workshop will present a synthesis of their ideals and techniques that will be of value to both darkroom and digital proponents.
Photography is a language of light. This unique workshop will help participants improve their fluency in this magical language. The workshop will emphasize not just how to do things, but more importantly, why, and is open to photographers working in all formats, recording their images on film or digitally. There will be indoor instruction and demonstration sessions, along with constructive and supportive portfolio reviews by both instructors, as well as an opportunity to put concepts into practice during directed field sessions.
There will be demonstrations in both traditional black and white printmaking, and recommended digital processing techniques. Charlie will discuss making digital negatives to combine the best of both approaches, as well as properly preparing digital files for reproduction and display on the web. John and Charlie will talk about the importance of proper handling and storage of film, digital, and print files. Talented photographer Anne Larsen will be assisting John and Charlie.
The workshop is based in John Sexton’s studio in Carmel Valley and will begin at 7:00 p.m. on Monday evening, and conclude late on Saturday night. The workshop tuition includes daily refreshment breaks and three meals during the workshop, along with workshop handouts from both Charlie and John. The workshop will be limited to a maximum of twelve participants, and is sure to fill fast. We are sorry, but no guests are allowed.
Fee: $1300 (Includes all park entrance and permit fees)
To apply for this workshop, download the workshop brochure and application form here (pdf file). You can also visit John's website for details.
MONO LAKE AND THE EASTERN SIERRA: EXPLORING AUTUMN LIGHT
CHARLES CRAMER AND JOHN SEXTON
October 12-17, 2014
Workhop is full, but waiting list is available at email@example.com.
By popular demand we are pleased to once again offer this extremely popular workshop. The Mono Basin and Eastern Sierra have some of the most exciting photographic opportunities imaginable. Autumn light and fall colors will add to the magic and wonder of this area. This field workshop will allow you to explore the spectacular photographic possibilities of this amazing landscape under the leadership of two skilled and talented photographers, Charles Cramer and John Sexton, and is open to dedicated photographers working with either traditional or digital materials. The most important thing is to come with an open mind and a desire to work hard at improving your photography. If you are interested in attending this workshop please send your application soon. It is certain that the session will be fully subscribed.
John and Charlie have selected a number of exciting locations to explore during the workshop. We will be photographing late and early light on the unique tufa formations at Mono Lake, as well as exploring nearby beautiful Sierra canyons and the spectacular Yosemite high country. Sexton and Cramer, along with workshop assistant Anne Larsen, will be available to assist participants in the field and will be offering indoor instruction sessions. We will utilize a large, comfortable classroom facility in Lee Vining, just a few hundred yards from the shore of Mono Lake and within walking distance of our motel. Along with instructor presentations and demonstrations, an important aspect of the workshop will be constructive portfolio reviews of prints that participants bring to the workshop. It will be a time of great scenery, photography, and camaraderie.
Included in the workshop fee will be a specially catered dinner the final night of the workshop, as well as two lunches in the field, along with handout booklets from both Charlie and John. Lodging, additional meals, and transportation costs are the responsibility of each participant. Each workshop is limited to fourteen people, and no guests are allowed. Early enrollment is advised. The workshop begins on Sunday morning, and ends late Friday evening.
Fee: $1500 (Includes all park entrance and permit fees)
These will be interactive lecture/demonstrations that will present tools and techniques for refining your film or digital camera images, with the goal of making prints that are more effective and compelling. Specific techniques will be demonstrated for maximizing the results with both Lightroom and Photoshop. Each participant will receive a printed handout and accompanying CD that includes the demonstration files.
This workshop will address some of these common questions:
Lightroom (this also refers to Adobe Camera RAW, as their developing capabilities are essentially identical)
- If I use Lightroom, do I need Photoshop?
- What Lightroom can and can't do
- What image corrections do I do in Lightroom, and what do I do in Photoshop?
- Optimizing detail in both shadows and highlights
- Effective techniques for using Photoshop
- Working with very dark or very light images
- "Orchestrating" the light
- Techniques to make your prints "glow"
Other topics will include choosing a printer, choosing an inkjet paper, and other questions and (possibly!) answers. For those who can bring laptop computers with Photoshop and/or Lightroom, selected example files will be given out so participants can follow along. If you don't have a laptop, the workshop will also work as well as a lecture/demonstration.
Sun to Moon Gallery Dallas, Texas Friday, January 10 9 AM to 4:30 PM Tuition: $249
To register or for more information, call the Sun to Moon Gallery at 214 745-1199 or visit the gallery's website at www.suntomoon.com. Lunch is included. There is currently one opening available.
Spectrum Gallery Fresno, California Sunday May 4 9 AM to 5 PM Tuition $100
Visit the Gallery website at www.spectrumphotogallery.org, although they haven't posted the workshop yet. Please email me for information on how to sign up for this workshop. You can also call Terry at 559 355-5668.